Just a quick note about the surrealistic evening I had last night:
After the Mermaid Gig, I had rehearsal at Jones Hall with the Houston Symphony Chorus under Maestro Claus Peter Flor.
We rehearsed Carmina Burana by Carl Orff.
Granted I was VERY tired and more than a little over medicated, but the sheer magnitude of sound, the incredible musicianship of the orchestra, the angelic sound of the Houston Children's Chorus, the contagious excitement of the Maestro, and the magnificent voices of the two soloists, Ilana Davidson, soprano and Hugh Russell, baritone, were enough to bring me to tears. I am at peace in the concert hall. I am home on that stage. I had the private honor of being early enough to rehearsal that I sat alone on stage and merely basked in the quiet magnitude of the hall. I then had the pleasure of witnessing the maestro prepare his score for rehearsal, again, just the two of us were in the room (there may have been an ambitious clarinettist or two but it FELT like we were alone!) I was breathless, speechless, and transported to my happy place; a European stage, a small regional opera company, my daughter in the wings, reading her textbooks while I rehearse this weekend's production. It makes me sad to think that this is a dream I will likely never realize. Che sera...
Tonight, we rehearse Chichester Psalms, by Bernstein. Tomorrow, I reveal to the world (or at least my 20-odd readers) the poor behavior of the snotty symphony artists. UGH!
Tickets for this extraordinary concert here.
Thursday, February 21, 2008
the Glory of Orff
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